Saving the Date: San Remo

Well ladies and gentlemen, the invitations are in! That’s right, not only have we saved the date, we’ve gone all the way. January 14, 2012 is right around the corner, wouldn’t you know… And etiquette does say that our guests should receive their invites roughly 8 to 6 weeks beforehand.

Bruno and I are thrilled to announce that we’ve chosen the San Remo suite designed by Postscript Brooklyn and sold through Lion in the Sun, an adorable little stationery with locations in Park Slope, Brooklyn and Huntington, Long Island. It’s nice to buy local!

I won’t say that there haven’t been a few snafus in the design and ordering process. For one, I should have known we would need more than one proof. I’ve dealt with my fair share of graphic designers both useless and talented, who’ve handed me final proofs with misspellings, wrong color palettes, and uneven alignment. Though I was a bit disappointed with our first proof for the Save the Dates. It just felt… sloppy. All the information was correct, but it looked terrible. Being the bridezilla that I am, I freaked out, which quickly got the situation solved. Going into the invitations, it was much easier as the template was already set. Overall, the staff at Lion in the Sun were very understanding and accommodating. I would definitely not hesitate to do business with them again but would definitely make sure I leave plenty of time to get things done. The only negative was that I always felt I needed to keep on top of them to make sure they kept me abreast of the progress or even remembered my order. But, again, maybe it’s because things are a little tense and rushed on our end. (Not that being separated by thousands of miles from your significant other puts a damper on wedding planning! Though, it does make for a good pity party…)

Now all’s that left is getting  these suckers addressed! I vaguely remember a former bride warning me about addressing your invitations on your own. My fingers hurt just thinking about it…

 

 

 

 

Moments: My Maternal Grandparents’ Wedding, September 1, 1951

Antonia and Iwan, Toronto, Canada, 1951

And… we’re back! I know it’s been a while. What happened? Nothing and everything! Don’t worry. Bruno and I are still, whole heartedly, totally, very much, definitely planning to be married on January 14, 2012, “The Big Day.” In fact, that’s about the only constant we’ve had in our lives over the past few months. Both our jobs changed over the summer, as Bruno moved into the publishing industry, and I became a research assistant at a museum. In September, I moved house for us both and started my doctoral program in Art History. Did I mentioned that Bruno’s been in London this whole time? Oh yeah, and that! As we have gone through the nitty gritty of the immigration process, there sometimes hasn’t even been the desire to write. Honestly, it’s been heart wrenching, and we look forward to when we can put this behind us.

But here we are, 69 days to the wedding, so no more excuses! There’s a lot to catch up on and still a lot to do.

First thing’s first, last weekend I visited my maternal grandparents, Antonia and Iwan. They live in Queens, where I grew up and helped raise me as a child. I remember when I was in elementary school, my grandfather, who was a chef by profession, picked me up at lunchtime and brought me home to a hot meal. Talk about being spoiled! I think he enjoyed planning the menus and was disappointed when, in middle school, I decided that it wasn’t cool enough and that it would be better if I ate cold, tasteless lunch with my friends at school. How silly of me! As they say, hindsight is 20/20.

Over the years, I have spoken with my grandparents about their immigration to the United States, and somewhere I have hours of video and audio footage that I claim to one day need to show my future children. However, I just recently learned the details of my grandmother’s immigration, something that I didn’t know much about. Many years after they had first left their hometowns in today’s Western Ukraine and several years after the end of World War II when they were living is Displaced Persons camps in Germany, both she and my grandfather were sponsored to immigrate to Canada and the United States, respectively, by a Ukrainian Catholic organization. It was in the camps where they met through a cousin of my grandmother’s. My grandfather was in Erlangen and grandmother in Würzburg, separated by a distance of about 56 miles.

Shortly after arriving on this side of the pond in early 1951, my grandfather, with whatever immigration status he had in the United States (refugee?), was able to petition to sponsor my grandmother to immigrate one again, this time from Canada to the United States. Unlike Bruno and I and maybe because such options did not exist or were less prevalent, he went to Canada and married my grandmother abroad. The two were married on September 1, 1951 in a Ukrainian Catholic Church in Toronto. About 10 to 15 people attended their reception, which was held in my Great Aunt Amelia’s kitchen. Obviously, I wasn’t there, but it did sound beautiful. My grandmother has always been a believer of quality over quantity.

Although it is hard to say if immigration is easier or more difficult now than then, you’d be surprised how little has changed. After being married, my grandparents filed their petition for my grandmother’s immigration and waited one full year before she was able to finally cross the border. During that year, they only saw each other once. Through that year, apparently, my grandfather did grow impatient, claiming that my grandmother must not have nagged the Embassy enough so as to speed up her paperwork. (Now, who does that sound like? Like they say, apples don’t fall from their trees!)

Today, my grandparents have been married 60 years, only one of which they ever spent apart. They worked difficult yet satisfying jobs, had three children, and own a house. I hope that we can only be so lucky.

Moments: My Paternal Grandparents’ Wedding, September 3, 1949

This weekend I was honored to be a bridesmaid at the wedding of a very close family friend. To say the wedding was phenomenal would be an understatement–St. Patrick’s Cathedral, The St. Regis Hotel. It was truly in a class of it’s own. But who’s judging? As I always say, every wedding is fabulous because every bride and groom are unique.

The last time I was a bridesmaid was at my father’s wedding to my stepmother. I was in high school, and my role in the wedding was a very meaningful gesture for my family. Previous to that, I was a junior bridesmaid at the wedding of one of my cousins. I definitely was too young and didn’t fully appreciate the work that went into the wedding nor the scope of my duties as an attendant.

Being wedding obsessed and, naturally, fully overcome by your own wedding planning fever adds to the excitement of being a bridesmaid. I was definitely taking notes! Attending to the bride’s wishes and needs made me think critically ahead as to what my day might be like and how better I as well as my attendants can assist in its running smoothly. You can’t plan for everything, but you can cover your bases!

Living through this amazing wedding weekend also made me think about the story my paternal grandmother told me about her own wedding on Labor Day weekend in 1949.

Both my grandparents’ families emigrated to the United States from what is now Eastern Slovakia and Ukraine. They met after World War II and were married at St. John the Baptist Byzantine Catholic Church in Bayonne, New Jersey and held their reception at the MacKenzie Post, a local meeting hall. When I asked her about the food, my grandmother casually said that their mothers, like good little babushki, cooked traditional Ukrainian dishes, including borshcht (beet soup), holuptsi (meat and rice filled cabbage), and varenyky (pirogies or Ukrainian dumplings filled with potato and cheese filling). And when I asked how many guests they served, she said flat-out, straight-faced, “Oh, just about 200, maybe 250.” No joke.  Can you even imagine cooking a meal for that many people and not being a professional chef? More importantly, why haven’t I inherited their skills?

My grandmother and grandfather made a very beautiful couple. I will definitely take her cue with those peep toe shoes, though I’m sure she’ll just tell me that, although gorgeous, they’re not worth the pain later in life! And while my grandfather’s tux with its wide lapel and pant legs are a bit out of fashion, the bow tie is a very nice touch.

I love this photograph not only because it is their first, arm in arm, as husband and wife, making an exit symbolic of their entrance into a new life, but also because it is an excellent example for bridesmaids-to-be. Check out that very ever-ready, attentive maid of honor in the background, guiding my grandmother’s veil. Success!

Venue Tour: India House/Bayard’s

India House is a veritable fixture of the Financial District. It’s legend precedes it. When my father dabbled in maritime law straight after school, this was the place to be. Located at 1 Hanover Square, India House is across the street from the British Gardens and down the street from both Fraunces Tavern and Delmonico’s. Stone Street, which is lined with usually hopping restaurants, cafes, and bars (including a Financier!) runs along its western side. You really cannot ask for a better downtown location. This landmark is easily accessible by all forms of transportation.

India House was the last venue I looked at but was one of the first I called. It was overlooked for a visit because of a silly confusion. Back in February, I called Bayard’s because I had read about it on some website. It took me a while to finally connect Bayard’s as the catering service for India House. That said, the food at India House is definitely one of its huge pluses.

The Blue Bar at the India House looking out onto Pearl Street

Cocktails at the India House would be severed between two first floor rooms–the Blue Bar and the (red) Hanover Room. Both are stunning. While the Blue Bar exudes cool comfort, the Hanover Room transports you back into a golden age with its lush red walls, Chinese tapestries, and crystal chandeliers. Hosting a cocktail party on the first floor is like hosting it in your own grand mansion. You automatically feel very “at home.” But of course, I can’t help but note that the division of the rooms is odd and can sever your guest list.

The Hanover Room looking north - seeing the chandelier from the street at night, breathtaking!

Moving on to the second floor, there is an alternative space for a cocktail hour or a space, for a small group, for a sit-down dinner or buffet. Called the Garden View Room, this set of this rooms make a U-shape.

The largest room or the "bottom" of the U of the Garden View Room

These rooms are great, super bright and airy; however, you must like or at least be able to stand maritime art. The India House is practically a maritime art museum! Those ships cannot be sunk! What on the walls, stays on the walls.

The Marine Room at the India House

This brings us to the third floor or the Marine Room. It’s west side looks out onto Stone Street. This orange, blue, and white room is very large and very versatile. The India House brochure states that it can seat 200 for dinner, though with a dance floor, we’re talking more like 130-150, maximum. While décor is minimal, you do have to contend with two gigantic models ships at each end.

The view from the third floor onto the second floor Garden View Room

Pros: no rental fee; all tables/chairs/etc. inclusive; in-house catering; additional time at cost; facilities on first and third floors; suitable elevator (to all floors)

Cons: maritime theme; $75 non-refundable/non-transferable tasting; very dark and steep staircase leading from the second to third floors

Conclusion: This venue is tried and trusted, but it does leave those looking for a little pizzazz a little sea sick.

Moments: My Mother’s Wedding, November 28, 1986

When I posted about my Kleinfeld Bridal experience, I promised to find you a photograph of my mother’s dress–an Italian made, Princess Diana inspired silk-chiffon combo with “sparkles” (mother’s words) and eight layers of crinoline. A Kleinfeld one and only! When I asked my mom if she has anything else to say about it, she said, “Nothing, other than that, when I saw it, I knew it was mine.”

I haven’t dared to take the dress out of its box, as it’s spent the last 25 years preserved, acid free and air tight, though I am curious to see what it looks like in the flesh, and dare I say, how it looks on me. Wearing my mother’s dress didn’t occur to me, though I know a lot of brides support the tradition. To be honest, I’m pretty sure my mother had an unbelievably small waist, so I won’t even entertain that thought. Tailoring it would not be an option. I will have to settle on swooning over it from a distance. Check out that belt, the beaded, petaled neckline, and the three-quarter ballooned sleeves. A-mazing!

The photos here are actually not from my mother’s wedding album but ones her cousin Norm took. He has always considered himself a hobby photographer, and some of my favorite snapshots from childhood were taken by him, when would visit us in New York from Canada. All of these shots are priceless to me. To look at them with a 2011 perspective only brings a smile to my face. My parents were and still are gorgeous. And I  know that Bruno and I have so much to learn from them–about both the good times and, well, the not so ideal times, too.

Whenever I freak out about the littlest things in the midst of all this planning, I need to just think of my mom and how, according to her, “There were so few choices in 1986!” May choice not get the better of us today!

P.S. Don’t forget to check out the classic Ukrainian babushki in the background of the third photo peeking through my parents–relics of times past.

Venue Tour: Pratt Mansions

For every polished positive of the Pratt Mansions, there is a tarnished negative. I have never wanted to love a venue more than I have wanted to love the Pratt Mansions. Alas, no can do.

 

 

 

 

 

 

 

The geographical location—Fifth Avenue at 84th Street—is to die for. Imagine your wedding portraits being taken on a balcony overlooking the Metropolitan Museum of Art or being whisked away into a horse-drawn carriage for a grand exit through Central Park at the end of the night. Unfortunately, the buildings’ day job—as home to the Marymount School for girls—leaves you feeling like you’re more likely headed to the principal’s office than an affair to remember.

 

 

 

 

 

 

 

The buildings at 1028, 1027, and 1026 Fifth Avenue were originally the homes of Florence Vanderbilt Burden, Herbert Lee Pratt, and Dunlevy Milbank, respectively. Throughout a 25 year period in the first half of the twentieth century, they were acquired by the school and conjoined for its purposes. Like many of the mansions on the Upper West Side, they are designated landmarks.

The lobby of the Pratt Mansions, a truly beautiful space minus the finger paintings

The lobby and the front room are my two favorite places in the mansions. These rooms, which flow into one another, would be used for the cocktail hour before guests are ushered upstairs for dinner and dancing. Overall, the mansions have a very traditional set up. The front room is wood floored and lined with dark wood panels and red velvet wall paper. And as you can see, the lobby’s marble and moldings have been restored to their original grandeur. Period pieces furnish the rooms, such as grandfather clocks, bookcases, and credenzas.

The biggest drawback of the mansions is its ballroom, which double’s as the school’s auditorium. Because of this, there is a proper stage and stage lighting. If anyone’s familiar with Twenty Four Fifth downtown, it has a similar feel. Inexplicably, the ceiling in this room is low and is then made lower by these lights. Literally, claustrophobic. The ballroom is also fully carpeted. It begs the question, where’s the ball?

The never-ending staircase the the Pratt Mansions

Pros: exceptionally well-kept; modern elevator; un-be-lievable location; in-house cook and prep kitchen; in-house tables; variable space rental fee based on season; well informed website and almost too friendly staff; the lower school’s library can be left open for younger guests; private spaces for the bridal party are available upon request

Cons:  limited restrooms (which is surprising because it’s a functioning school); out of house caterer; chair rental; dance floor rental; access to tour the space is limited by school’s schedule; weekend events only

Conclusion: This schoolhouse does not rock. Individually, each of its rooms have endearing qualities, but as a whole, nothing stands out. Its location is the only attention grabber but 100% not worth it.

Our Engagement Photos by Eliza Claire

If I were lazy, I would simply link to Eliza Claire’s post on our engagement session and call it day. While that’s definitely worth a peek, I can’t resist further gushing about Eliza Claire and our photos here. We adore her and simply cannot get enough of our photos!

I count us very lucky for being able to meet and work with Eliza Claire. It was one of the first and best decisions we have made during our engagement, thus far.

 

 

 

 

 

 

 

To say that Bruno and I have an untraditional engagement would be an understatement. Never the less, there are some things that all couples just do. To me, engagement photos were one of those things. All my cousins who are married did them. Doesn’t that count? After some debating and a polite request from my father, Bruno and I decided to take the photos on my next trip to London. We figured that it would at least be good practice for our wedding day.

I was very skeptical about finding a photographer with no recommendations and no where to start. (Note: not knowing where to begin seems to be a common theme for me and wedding planning.) Thanks to Google, I quickly came across Eliza Claire. I believe the query was “london engagement photography vintage,” go figure!

My biggest fear of Googling a photographer was that he or she would turn out to not be real. I know, crazy. I assure you that Eliza Claire is a real, living and breathing, woman with fabulous style, a sharp eye, and very curated taste. We emailed and spoke a bunch of times before finally meeting on Friday, May 13th. I know, we must be blessed. Even the weather held up, bathing us with sunshine all afternoon. I should have realized it was bound to be a great day from the second I saw Eliza Claire approaching me on Kensington High Street, decked out in a vintage chic pink feather hair band. Super cute!

Eliza Claire and her second shooter Marie spent a little over two hours with us, traipsing around Holland Park in Kensington, West-Central London. We photographed in the Kyoto Garden, the Rose Garden, and all along its paths. We also took a detour to the Leighton House, a very beautiful museum, where we had the backyard garden almost all to ourselves. Originally, I had thought we’d shoot somewhere in Notting Hill or in Camden, two of our favorite London neighborhoods. It was Bruno’s father, Jack, who suggested Holland Park, which is close to both Bruno’s current and childhood homes. By shooting in the park, we missed much of the hustle and bustle that can be distracting or even embarrassing when in the streets.

For first time sitters, Bruno and I found Eliza Claire to be the perfect combination of instructive and unobtrusive.  She and Marie were very chatty, putting our minds at ease by recounting the ever-interesting sagas of young motherhood. (Both Eliza Claire and Marie are mommies with gorgeous toddlers/preschoolers.) I found myself smiling constantly, not because I had to but because I was genuinely having so much fun. One location led to another, one pose to the next. Everything was so natural, and time slipped away from us.

I really wish I knew more London-based brides because I would tell them all to immediately book Eliza Claire. She’s a pleasure to work with, professional and punctual, and her rates and packages are very competitive. All that combined with her signature vintage look made her the right photographer for us. Thank you, Eliza Claire! You will definitely be missed in New York this January! x